In today's article, we want to address the topic of Bust of Thomas Baker, a topic that has caused a great impact on today's society. Bust of Thomas Baker is an issue that affects people of all ages, genders and cultures, so it is important to analyze it from different perspectives. Throughout this article, we will explore the origins of Bust of Thomas Baker, its evolution over time, and its influence on various aspects of everyday life. Additionally, we will examine possible solutions or approaches to address this issue effectively. We hope that this article generates reflection and debate among our readers, as well as provides valuable information about Bust of Thomas Baker.
Bust of Thomas Baker | |
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Artist | Gian Lorenzo Bernini |
Year | 1638 |
Catalogue | 40 |
Type | Sculpture |
Medium | Marble |
Dimensions | 82 cm (32 in) |
Location | Victoria and Albert Museum, London |
51°29′47″N 0°10′19″W / 51.496302°N 0.172078°W | |
Preceded by | Bust of King Charles I (Bernini) |
Followed by | Medusa (Bernini) |
The bust of Thomas Baker is a 1638 marble portrait sculpture created by the Italian artist Gian Lorenzo Bernini, with much of the bust undertaken by a pupil of Bernini, probably Andrea Bolgi. It is currently held in the Victoria and Albert Museum, London, who purchased the bust in 1921 for 1480 English guineas.
Baker (1606–58) was High Sheriff of Suffolk in 1657 and connected to the court of Charles I. He may have been indirectly involved in another Bernini bust, carrying the triple portrait of Charles I by Van Dyck to Rome; it was from this portrait that Bernini carved the now-destroyed bust of King Charles.
Media related to Bust of Thomas Baker (Victoria & Albert Museum) at Wikimedia Commons