In today's world, Benefits Supervisor Sleeping has become a topic of great relevance and interest to a wide range of people. Whether due to its impact on society, its importance in the workplace or its relevance in history, Benefits Supervisor Sleeping has captured the attention of many and has generated intense debate in various circles. In this article, we will explore the different aspects of Benefits Supervisor Sleeping, analyzing its influence in the past, present and future. From its origins to its possible long-term implications, we will delve into the world of Benefits Supervisor Sleeping to better understand its scope and meaning.
Benefits Supervisor Sleeping is a 1995 oil on canvas painting by the British artist Lucian Freud depicting a naked woman lying on a couch. It is a portrait of Sue Tilley, a Jobcentre supervisor.
Tilley is the author of a biography of the Australian performer Leigh Bowery titled Leigh Bowery, The Life and Times of an Icon. Tilley was introduced to Freud by Bowery, who was already modelling for him. Freud painted a number of large portraits of her around the period 1994–96, and came to call her "Big Sue". He said of her body: "It's flesh without muscle and it has developed a different kind of texture through bearing such a weight-bearing thing."
The painting held the world record for the highest price paid for a painting by a living artist when it was sold by Guy Naggar for US$33.6 million (£17.2 million) at Christie's in New York City in May 2008 to Roman Abramovich.
Freud's painting The Brigadier was sold for £35.8 million ($56.2 million) in 2015, four years after his death, replacing Benefits Supervisor Sleeping as the most expensive Freud painting sold at auction.
The painting was exhibited twice at Flowers Gallery: