Nowadays, Atomic Ed and the Black Hole is a topic that has gained great relevance in modern society. For years, Atomic Ed and the Black Hole has been the subject of debate and discussion in different areas, whether in public policies, in the academic world or in people's daily lives. However, despite the importance that Atomic Ed and the Black Hole has acquired, there are still many aspects that are little known or that generate controversy. In this article, we will explore different aspects of Atomic Ed and the Black Hole in depth, analyzing its impact on society, its evolution over the years and the possible implications it has for the future.
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Atomic Ed and the Black Hole | |
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Directed by | Ellen Spiro |
Produced by | Ellen Spiro Karen Bernstein |
Cinematography | Ellen Spiro |
Edited by | Karen Skloss |
Distributed by | HBO/Cinemax Documentary |
Release date |
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Running time | 40 minutes |
Atomic Ed and the Black Hole is a documentary released in 2001 by filmmaker, Ellen Spiro. The documentary was made for HBO's Cinemax Reel Life Series. Sheila Nevins served as Executive Producer and Lisa Heller served as Supervising Producer. Karen Bernstein served as Producer. Laurie Anderson provided her song, Big Science, for the soundtrack.
Ed Grothus (“Atomic Ed”) is a machinist-turned-atomic junk collector who more than 30 years ago quit his job of making atomic bombs and began collecting non-radioactive high-tech nuclear waste discarded from the Los Alamos National Laboratory.
Atomic Ed is the proprietor of “The Black Hole”, a second-hand shop and, next door, curator of the unofficial museum of the nuclear age. His collection reveals and preserves the history of government waste that was literally thrown in a trash heap.